The Thursday List: Foreign Film Edition

"Once Upon a Time in the West" (1968)

Not only is the film that almost single-handedly breathed life back into westerns, it is quite likely legendary Italian film director Sergio Leone's best film... and widely regarded as one of the best, if not the best, western movie ever made. The combination of a strong story, interesting characters well portrayed, Leone's directing near-operatic style, and brilliant score by Ennio Morricone is marvelous and really fires on all thrusters. And Henry Fonda as Frank, in my opinion one of the best screen villains in all cinema, is amazing. This film isn't just a must-see for fans of westerns but also for film fans in general. This film is in my Top 100 and the Top 100 of many others as well. Highly recommended.

"The Devil's Backbone" (2001)

A horror film set in Spain in 1939, the last year of the Spanish Civil war, "The Devil's Backbone" is simultaneously a compassionate, heartfelt story of humanity, innocence, comradery, human frailty, and sacrifice and a story of greed, viciousness, corruption, fearful villainy, war, and murder. And a ghost story. Guillermo del Toro's work here delivers both a remarkable elegance and a pronounced and relentless dread. This film is in my Top 30 and is held in very high regard by a wide swath of moviegoers as well. It's a horror film, and beautiful, that you would do yourself a real favor to watch. Highly recommended.

"The Third Man" (1949)

At the crossroads of post-WW2 Germany, while the Cold War escalates almost quietly, a pulp novelist arrives to visit a friend and finds far more than a bargained for. "The Third Man" is regarded by many to be the best British film of the 20th century, and I am not inclined to disagree. It was brilliantly written by Graham Greene, skillfully and creatively directed by Carol Reed, and Orson Welles and Joseph Cotton, as well as the rest of the cast, deliver near perfect pitch performances. And then there's the memorable score, only one instrument, a zither. Shot simply and much on location in still war-damaged Vienna, the striking cinematography strongly complements the performances and lends enormous atmosphere. This film is in my Top 10. It's a classic. Highly recommended.

The Thursday List - My Shelf Edition (again)

"The Ninth Gate" (1999)

Johnny Depp plays a rare book hustler/dealer who is hired by a ruthless billionaire bibliophile, played by Frank Langella, to authenticate a copy of a legendary occult book reputed to have been dictated by the Devil himself back in the seventeenth century. Hilarity, of course, ensues. Directed, produced, and co-written by Roman Polanksi, the film is well-written, stylish, suspenseful, and well made, and the cast is excellent. Many frown on the movie since it's not another "Rosemary's Baby", which itself is a film I believe highly, highly overrated. I believe "The Ninth Gate" is, I believe, quite underrated, and it is one of my personal occult favorites.

"Chinatown" (1974)

This is widely considered to be one of the best all around films ever made, for good reason. It's a Robert Towne script directed by Roman Polanski and starring Jack Nicholson, Faye Dunaway, and John Huston. To put it simply, the film is a master class in just about every aspect of filmmaking, a feat not accomplished by many. The story is engaging. Towne's script it tight and well-paced, as is Polanski's direction, and the cast is, as you might guess, superb. "Chinatown" is a must-see.

The Thursday List: The Renewal

"Alien 3" (1992)

Plagued by pre-production difficulties that would have killed most other franchises, "Alien 3" and its fledgling director David Fincher forged ahead and created a solid, however underrated, third film in the "Alien" saga. It's not super suspense and scares, and it's not gung ho shoot'em up action. "Alien 3" is a slow burn, a bleak, dark tragedy playing out in the coldness of space on a barren prison planet. The script, while not terribly innovative or wowwing, is good, and the acting is uniformly brilliant throughout. "Alien 3" also has its own trademark audiovisual style, as its predecessors did themselves, and it works. Compared to "Alien" and "Aliens" it falls rather short, but taken on its own, as it should be, "Alien 3" deserves a better rap than it gets. Recommended.

"Blood Simple" (1985)

This debut film of directors Joel and Ethan Coen is a masterpiece of neo-noir cinema. Suspicion, adultery, thievery, murder, double-crosses, and characters that are at the same time really stupid and really, really awful people. "Blood Simple" is dark, and it's mean, and it's unforgiving, and it's visceral, and it's truly brilliant to watch it unfold. The cast is truly exceptional, and the late M. Emmet Walsh's private eye Loren Visser is one of the most evil and treacherous villains ever to stain the silver screen, and he's almost kind of likeable, in a twisted kind of way. Treat yourself to this film. It's a classic. Highly recommended.

"The Negotiator" (1998)

The running theme today is "an excellent cast", and that's what this film has. "The Negotiator" is a police procedural plus a whodunnit in the style of "Die Hard" but with less overt humor and more intrigue and suspense. The script is tight. The pace is quick. The cast is in top form, especially Kevin Spacey and the late J.T. Walsh. It's a solid roller coaster ride, evenly spaced action and suspense, up until the end. Recommended.

The Thursday List, Episode 5 (Early Edition)

"Soylent Green" (1973)

Usually ecological disaster movies are crap. They're preachy and irritating and weakly written. "Soylent Green" isn't one of those. It's the ecological disaster movie all the others are trying to be. It's solidly written and directed, and it features the final and quite moving film performance of the legendary Edward G. Robinson. The worst thing about the film, aside from Charlton Heston's mediocre performance for the first half of the film, is that it's so dreadfully 1970s, with the fashions and the language. And if that's the worst part of the film, that's doing pretty good. This film's a classic for good reason. Recommended.

"Dead Again" (1991)

"Dead Again" is a neo-noir psychological thriller and one of my favorite movies. It stars Kenneth Branagh, Emma Thompson, Andy Garcia, and Sir Derek Jacobi and is a veritable master class in film direction, screenwriting, and performance. It's gorgeously shot and features scenes both in color and in black and white while the plot develops and the action moves back and forth between the 1940s and the 1990s. It's a tight, lean story, very engaging, and should have you quite rapt until the very end. Highly recommended.

"The Mangler" (1995)

Robert Englund and Ted Levine in a horror movie based on a Stephen King short story and directed by Tobe Hooper. Holy cow! This should be pretty good. Except that "The Mangler" is a laundry folding machine... that gets possessed a demon... and terrorizes the people at the laundry service, while a detective (Levine) tries to investigate and the owner (Englund) tries to find it new victims. Holy crap. Now it seems like it should blow. To be fair, it's an all around very competently made film. It's just clunkily written, but more than that it just doesn't work as a story. I've not read the short story, though. I'll wager it worked a lot better there. The movie blows. Avoid.

The Thursday List, Episode 1

"Green for Danger" (1946)

It's a Golden Age whodunnit set in a hospital camp in England during World War II. An ensemble cast performs a fiendishly tight script, and the film is set, photographed, lit, and scored very ably. It's a little quirky, with an exceptional performance by the great Alistair Sim as the rather unusual Scotland Yard sleuth, Inspector Cockrill. A very entertaining and enjoyable film classic. Highly recommended.

"Insidious" (2011)

It's three movies in one. The first part is an atmospheric, slowly paced haunted house movie. The second part is an alternately slightly amusing and chilling haunted house movie. The third part is a rather bold but kind of clunky fantasy/horror story. Wonderfully shot with super visuals and very well scored, it just doesn't really ever gel. It winds up dead average (no pun intended). Great for Hallowe'en, but take it or leave it the rest of the year.

"Midnight Movie" (2008)

This is the kind of slasher horror movie that is genuinely fun to watch. The budget came in at one million dollars but delivered better than most horror movies with ten to thirty times that. It's generally well scripted and competently performed, but what elevates it is the direction. It's obvious the director pre-planned and handled his resources excellently and that the cast and crew enjoyed making the movie. Hmmm... I may do a proper full write-up on this one. Highly recommended.