Two night clerks alone in a soon-to-close old haunted inn. What could go wrong?

The Yankee Pedlar Inn is about to close after over a hundred years of business. Two clerks have desk duty for the last weekend. One of them is a mildly creepy but somehow almost lovably well-meaning guy who seems to be love with... his laptop, and the other is a rather cute, slightly clumsy, asthmatic young woman with a keen imagination and a desperate desire to... find the resident ghost. Oh, and Kelly McGillis is there, too. Between the tape recorder, the crystal, and the dark, locked basement what could possibly go wrong?

"The Innkeepers" (2011)
written and directed by Ti West.
starring Sara Paxton, Pat Healy, and Kelly MicGillis

How Is It?
It's old school horror and suspense, and it's done well. It's done really, really well.

The Players

All of the players in this film deliver spot-on performances, nothing over the top. Sara Paxton's Claire comes across pleasantly awkward, both socially and physically, and believably innocent, honest, and both serious and fun-loving. Pat Healy's Luke is quite believable also, never remotely unpleasant but with an understated and not well-hidden burden of loneliness. Kelly McGillis' Leanne rounds out the main character cast as the '80s tv celebrity turned mystical healer who is visiting the inn while touring on the convention circuit. The three work solidly together, as well as alone. Solid work all around in front of the camera.

Behind the Camera
Ti West can make a good movie. It was filmed on location in a real inn, and it was just the right place. West uses the interior geography of the place marvelously. It's homey and charming and quaint and all, and it's also a bit eerie, then pretty spooky, and then it's just plain sinister. And the real kicker is that it's never overdone, visually or audially. West keep the emphasis on atmosphere, ratcheting things up bit by both, punctuated with just the right amount of levity, and it winds up with the film really being, in my opinion, a course in how to make a haunted house movie. "Hometown Gothic" is how I would classify the film. For me it's reminiscent in feel to Robert Wise's 1963 classic, and quite possibly the finest haunted house movie ever made, "The Haunting", and that is high praise indeed.

The photography and lighting are good. The script is tight. The direction is top-notch.

The Verdict
I bought a copy the day after I watched it. It's a solid, dependable, excellent made film. It's a slow burn of a scare, and it's an excellent movie. "The Innkeepers" delivers. Highly recommended.

The Thursday List: Foreign Film Edition

"Once Upon a Time in the West" (1968)

Not only is the film that almost single-handedly breathed life back into westerns, it is quite likely legendary Italian film director Sergio Leone's best film... and widely regarded as one of the best, if not the best, western movie ever made. The combination of a strong story, interesting characters well portrayed, Leone's directing near-operatic style, and brilliant score by Ennio Morricone is marvelous and really fires on all thrusters. And Henry Fonda as Frank, in my opinion one of the best screen villains in all cinema, is amazing. This film isn't just a must-see for fans of westerns but also for film fans in general. This film is in my Top 100 and the Top 100 of many others as well. Highly recommended.

"The Devil's Backbone" (2001)

A horror film set in Spain in 1939, the last year of the Spanish Civil war, "The Devil's Backbone" is simultaneously a compassionate, heartfelt story of humanity, innocence, comradery, human frailty, and sacrifice and a story of greed, viciousness, corruption, fearful villainy, war, and murder. And a ghost story. Guillermo del Toro's work here delivers both a remarkable elegance and a pronounced and relentless dread. This film is in my Top 30 and is held in very high regard by a wide swath of moviegoers as well. It's a horror film, and beautiful, that you would do yourself a real favor to watch. Highly recommended.

"The Third Man" (1949)

At the crossroads of post-WW2 Germany, while the Cold War escalates almost quietly, a pulp novelist arrives to visit a friend and finds far more than a bargained for. "The Third Man" is regarded by many to be the best British film of the 20th century, and I am not inclined to disagree. It was brilliantly written by Graham Greene, skillfully and creatively directed by Carol Reed, and Orson Welles and Joseph Cotton, as well as the rest of the cast, deliver near perfect pitch performances. And then there's the memorable score, only one instrument, a zither. Shot simply and much on location in still war-damaged Vienna, the striking cinematography strongly complements the performances and lends enormous atmosphere. This film is in my Top 10. It's a classic. Highly recommended.

The Thursday List: Gangster Edition (International)

Kung Fu Hustle (2004)

This movie isn't simply a good story well told. This is my favorite martial arts film ever. It's well paced, with plenty of action, lots of laughs, and just the right amount of drama and suspense, and the special effects are all in service of the story, not simply there to look cool. On top of that it looks like the cast and crew really enjoyed making it, which is a plus in my book. It's a genuinely fun, enjoyable film. Highly recommended.

Snatch (2000)

A comedy of errors and omissions between a bunch of villains, ranging from truly bad men and men who desperately want to be truly bad but really aren't. It's a roller coaster, rapidly paced and a bit of a jigsaw. And funny. People get threatened and beat up and killed, but... yeah, it's a gritty crime comedy, with a marvelous cast, including Jason Statham, Benicio del Toro, Dennis Farina, and Stephen Graham. Alan Ford delivers a truly stand-out performance as Brick Top, the main villain and undeniably the film's Most Very Bad Man. This is one of my Top 10 Crime/Caper Films. Highly recommended.

Jackie Brown (1997)

Some may consider it heretical, but I consider this Quentin Tarantino's best film to date, not that his others have been exactly poor by any stretch of the imagination... except for maybe "Death Proof". It's got the trademark Tarantino pacing and dialogue, but the characters are by and large the most relatable and interesting of his works. It helps of course that the cast is stellar, particularly Robert Forrester, Pam Grier, Robert DeNiro, and Samuel L. Jackson, and they're working from a near-perfect script. High marks all around. Highly recommended.

The Thursday List - My Shelf Edition (again)

"The Ninth Gate" (1999)

Johnny Depp plays a rare book hustler/dealer who is hired by a ruthless billionaire bibliophile, played by Frank Langella, to authenticate a copy of a legendary occult book reputed to have been dictated by the Devil himself back in the seventeenth century. Hilarity, of course, ensues. Directed, produced, and co-written by Roman Polanksi, the film is well-written, stylish, suspenseful, and well made, and the cast is excellent. Many frown on the movie since it's not another "Rosemary's Baby", which itself is a film I believe highly, highly overrated. I believe "The Ninth Gate" is, I believe, quite underrated, and it is one of my personal occult favorites.

"Chinatown" (1974)

This is widely considered to be one of the best all around films ever made, for good reason. It's a Robert Towne script directed by Roman Polanski and starring Jack Nicholson, Faye Dunaway, and John Huston. To put it simply, the film is a master class in just about every aspect of filmmaking, a feat not accomplished by many. The story is engaging. Towne's script it tight and well-paced, as is Polanski's direction, and the cast is, as you might guess, superb. "Chinatown" is a must-see.

The Thursday List: My Shelf Edition (Pt 4)

The Blues Brothers (1980)

As far as I know, this is the first movie to be made exclusively as a vehicle for cast members of Saturday Night Live, and it's the best one. In fact, it's one of the best, most fun comedies of the 1980s. It's got music, an off-the-wall but very dry sense of humor, and quite possibly one of the top three car chases in cinema history. It hits all right notes and deserves its status as a film classic.

The Bridge on the River Kwai (1957)

Out of all of the films that have been made only about six hundred have been selected to be inducted into the Library of Congress' National Film Registry. This is one of those films. Filmed on location and brilliantly directed and acted, it's engaging on various levels all the way through, and it's production quality is top-notch. It's a must-have for any cinephile's collection.

Casino Royale (1967)

Before Daniel Craig, Pierce Brosnan, Timothy Dalton, Roger Moore, and George Lazenby there was... David Niven. And Peter Sellers... Ursula Andress... Barbara Bouchet, Joanna Pettet, Terence Cooper, and Daliah Lavi -- all as James Bond 007... in the same film. Film historian said it was a "film of momentary vision, collaboration, adaptation, pastiche, and accident. It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on." In a nutshell: It was a lovably absurd, psychadelic parody of itself. It had multiple directors, several uncredited star cameos, an unusual number of script versions, a legendary feud, and eventually stood upon its release as one of the most expensive films ever made. It's amazing it was ever completed, and it's beautiful to see and lots of fun. Again, a classic.

The Thursday List: The Renewal

"Alien 3" (1992)

Plagued by pre-production difficulties that would have killed most other franchises, "Alien 3" and its fledgling director David Fincher forged ahead and created a solid, however underrated, third film in the "Alien" saga. It's not super suspense and scares, and it's not gung ho shoot'em up action. "Alien 3" is a slow burn, a bleak, dark tragedy playing out in the coldness of space on a barren prison planet. The script, while not terribly innovative or wowwing, is good, and the acting is uniformly brilliant throughout. "Alien 3" also has its own trademark audiovisual style, as its predecessors did themselves, and it works. Compared to "Alien" and "Aliens" it falls rather short, but taken on its own, as it should be, "Alien 3" deserves a better rap than it gets. Recommended.

"Blood Simple" (1985)

This debut film of directors Joel and Ethan Coen is a masterpiece of neo-noir cinema. Suspicion, adultery, thievery, murder, double-crosses, and characters that are at the same time really stupid and really, really awful people. "Blood Simple" is dark, and it's mean, and it's unforgiving, and it's visceral, and it's truly brilliant to watch it unfold. The cast is truly exceptional, and the late M. Emmet Walsh's private eye Loren Visser is one of the most evil and treacherous villains ever to stain the silver screen, and he's almost kind of likeable, in a twisted kind of way. Treat yourself to this film. It's a classic. Highly recommended.

"The Negotiator" (1998)

The running theme today is "an excellent cast", and that's what this film has. "The Negotiator" is a police procedural plus a whodunnit in the style of "Die Hard" but with less overt humor and more intrigue and suspense. The script is tight. The pace is quick. The cast is in top form, especially Kevin Spacey and the late J.T. Walsh. It's a solid roller coaster ride, evenly spaced action and suspense, up until the end. Recommended.