You didn't see that coming, did you?

"Oculus" and "The Quiet Ones" don't deliver quiet what's expected. That works in one but alas, doesn't in another.

"Oculus" (2014)

You've seen this movie before... ish. It's the time-tested spooky story of kids with a terrible past going back to the scene of the crime to get to the truth and get even. Just this time the baddie is... well, it's a mirror. Karen Gillan stars in what looks like it should be a bog standard haunted house movie with cliches galore, and it is... and isn't. Yes, there are some key point in the film that avid horror movie fans see coming miles away, but it still works. "Oculus" is a pretty tight, well made, well performed, fairly well paced ghost story with a healthy dose of psychological horror in the mix. I was skeptical going into it and actually a bit surprised and pleased as the credits rolled. The movie doesn't reinvent anything in the genre. What's refreshing is it doesn't try to be something it isn't, and it tells its story very well. Hats off to all involved in the making of it. I quite liked it. It's well worth watching.

"The Quiet Ones" (2014)

I am still rather stuck on exactly how to put how this film doesn't work, except to say that it seems in it efforts to lead viewers to wonder "What really happened?" it simply made itself rather muddy. All the hallmarks of paranormal investigation movies are there, all the stock characters, scares, character arcs, and twists. It was distinctly Hammer, yes. It was just rather flat, unfortunately. I expected more.  Streamable, maybe rentable for the special features for hardcore Hammer/horror buffs.

Two night clerks alone in a soon-to-close old haunted inn. What could go wrong?

The Yankee Pedlar Inn is about to close after over a hundred years of business. Two clerks have desk duty for the last weekend. One of them is a mildly creepy but somehow almost lovably well-meaning guy who seems to be love with... his laptop, and the other is a rather cute, slightly clumsy, asthmatic young woman with a keen imagination and a desperate desire to... find the resident ghost. Oh, and Kelly McGillis is there, too. Between the tape recorder, the crystal, and the dark, locked basement what could possibly go wrong?

"The Innkeepers" (2011)
written and directed by Ti West.
starring Sara Paxton, Pat Healy, and Kelly MicGillis

How Is It?
It's old school horror and suspense, and it's done well. It's done really, really well.

The Players

All of the players in this film deliver spot-on performances, nothing over the top. Sara Paxton's Claire comes across pleasantly awkward, both socially and physically, and believably innocent, honest, and both serious and fun-loving. Pat Healy's Luke is quite believable also, never remotely unpleasant but with an understated and not well-hidden burden of loneliness. Kelly McGillis' Leanne rounds out the main character cast as the '80s tv celebrity turned mystical healer who is visiting the inn while touring on the convention circuit. The three work solidly together, as well as alone. Solid work all around in front of the camera.

Behind the Camera
Ti West can make a good movie. It was filmed on location in a real inn, and it was just the right place. West uses the interior geography of the place marvelously. It's homey and charming and quaint and all, and it's also a bit eerie, then pretty spooky, and then it's just plain sinister. And the real kicker is that it's never overdone, visually or audially. West keep the emphasis on atmosphere, ratcheting things up bit by both, punctuated with just the right amount of levity, and it winds up with the film really being, in my opinion, a course in how to make a haunted house movie. "Hometown Gothic" is how I would classify the film. For me it's reminiscent in feel to Robert Wise's 1963 classic, and quite possibly the finest haunted house movie ever made, "The Haunting", and that is high praise indeed.

The photography and lighting are good. The script is tight. The direction is top-notch.

The Verdict
I bought a copy the day after I watched it. It's a solid, dependable, excellent made film. It's a slow burn of a scare, and it's an excellent movie. "The Innkeepers" delivers. Highly recommended.

The Thursday List: Foreign Film Edition

"Once Upon a Time in the West" (1968)

Not only is the film that almost single-handedly breathed life back into westerns, it is quite likely legendary Italian film director Sergio Leone's best film... and widely regarded as one of the best, if not the best, western movie ever made. The combination of a strong story, interesting characters well portrayed, Leone's directing near-operatic style, and brilliant score by Ennio Morricone is marvelous and really fires on all thrusters. And Henry Fonda as Frank, in my opinion one of the best screen villains in all cinema, is amazing. This film isn't just a must-see for fans of westerns but also for film fans in general. This film is in my Top 100 and the Top 100 of many others as well. Highly recommended.

"The Devil's Backbone" (2001)

A horror film set in Spain in 1939, the last year of the Spanish Civil war, "The Devil's Backbone" is simultaneously a compassionate, heartfelt story of humanity, innocence, comradery, human frailty, and sacrifice and a story of greed, viciousness, corruption, fearful villainy, war, and murder. And a ghost story. Guillermo del Toro's work here delivers both a remarkable elegance and a pronounced and relentless dread. This film is in my Top 30 and is held in very high regard by a wide swath of moviegoers as well. It's a horror film, and beautiful, that you would do yourself a real favor to watch. Highly recommended.

"The Third Man" (1949)

At the crossroads of post-WW2 Germany, while the Cold War escalates almost quietly, a pulp novelist arrives to visit a friend and finds far more than a bargained for. "The Third Man" is regarded by many to be the best British film of the 20th century, and I am not inclined to disagree. It was brilliantly written by Graham Greene, skillfully and creatively directed by Carol Reed, and Orson Welles and Joseph Cotton, as well as the rest of the cast, deliver near perfect pitch performances. And then there's the memorable score, only one instrument, a zither. Shot simply and much on location in still war-damaged Vienna, the striking cinematography strongly complements the performances and lends enormous atmosphere. This film is in my Top 10. It's a classic. Highly recommended.