The Thursday List: Gangster Edition (International)

Kung Fu Hustle (2004)

This movie isn't simply a good story well told. This is my favorite martial arts film ever. It's well paced, with plenty of action, lots of laughs, and just the right amount of drama and suspense, and the special effects are all in service of the story, not simply there to look cool. On top of that it looks like the cast and crew really enjoyed making it, which is a plus in my book. It's a genuinely fun, enjoyable film. Highly recommended.

Snatch (2000)

A comedy of errors and omissions between a bunch of villains, ranging from truly bad men and men who desperately want to be truly bad but really aren't. It's a roller coaster, rapidly paced and a bit of a jigsaw. And funny. People get threatened and beat up and killed, but... yeah, it's a gritty crime comedy, with a marvelous cast, including Jason Statham, Benicio del Toro, Dennis Farina, and Stephen Graham. Alan Ford delivers a truly stand-out performance as Brick Top, the main villain and undeniably the film's Most Very Bad Man. This is one of my Top 10 Crime/Caper Films. Highly recommended.

Jackie Brown (1997)

Some may consider it heretical, but I consider this Quentin Tarantino's best film to date, not that his others have been exactly poor by any stretch of the imagination... except for maybe "Death Proof". It's got the trademark Tarantino pacing and dialogue, but the characters are by and large the most relatable and interesting of his works. It helps of course that the cast is stellar, particularly Robert Forrester, Pam Grier, Robert DeNiro, and Samuel L. Jackson, and they're working from a near-perfect script. High marks all around. Highly recommended.

The Thursday List: My Shelf Edition (Pt 4)

The Blues Brothers (1980)

As far as I know, this is the first movie to be made exclusively as a vehicle for cast members of Saturday Night Live, and it's the best one. In fact, it's one of the best, most fun comedies of the 1980s. It's got music, an off-the-wall but very dry sense of humor, and quite possibly one of the top three car chases in cinema history. It hits all right notes and deserves its status as a film classic.

The Bridge on the River Kwai (1957)

Out of all of the films that have been made only about six hundred have been selected to be inducted into the Library of Congress' National Film Registry. This is one of those films. Filmed on location and brilliantly directed and acted, it's engaging on various levels all the way through, and it's production quality is top-notch. It's a must-have for any cinephile's collection.

Casino Royale (1967)

Before Daniel Craig, Pierce Brosnan, Timothy Dalton, Roger Moore, and George Lazenby there was... David Niven. And Peter Sellers... Ursula Andress... Barbara Bouchet, Joanna Pettet, Terence Cooper, and Daliah Lavi -- all as James Bond 007... in the same film. Film historian said it was a "film of momentary vision, collaboration, adaptation, pastiche, and accident. It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on." In a nutshell: It was a lovably absurd, psychadelic parody of itself. It had multiple directors, several uncredited star cameos, an unusual number of script versions, a legendary feud, and eventually stood upon its release as one of the most expensive films ever made. It's amazing it was ever completed, and it's beautiful to see and lots of fun. Again, a classic.

The Thursday List: My Shelf Edition (Pt 1)

I don't have an enormous library of movies. Well, I don't have nearly as enormous a library of movies as I would like. Let's put it that way. The following is the start of the list that will be on Thursdays for a while. I'm going to detail what I have and why.

"2001: A Space Odyssey" (1968)

Easy. This is one of the best, most influential films ever made. For all intents and purposes technically perfect, it wove special effects seamlessly into a marvelous story, balancing the two perfectly in a way, alas, not seen again until 1982's "Blade Runner"... and then not much after. It's #2 in my Top Ten and was the second Blu-Ray disc I ever bought. I watch it once or twice a year. It's that phenomenal.

"2010: The Year We Make Contact" (1984)

It's an '80s movie, and it looks like one... a lot. And it's dated... a lot. That said, it's solid, well conceived and executed, entertaining, in one of two scenes rather moving, and the cast is exceptional. It was also one of the first movies I ever watched when my parents go HBO. So in addition to being a very good film it's one of this film geek's sentimental favorites.

"Alien" (1979)

Again, easy. This is one of the top ten science fiction films ever made, as well as one of top one hundred films ever produced. I owned it on VHS, and then on DVD. I now have the Blu-Ray, and I'll get it on whatever format comes next. "A simple story, brilliantly told." That's it in a nutshell. Add to that a striking visual design that hasn't aged a bit in over thirty years and one of the greatest shocks in the history of cinema, and that's why it's in my collection. 

The Thursday List (Episode 9) (re-post)

"Prince of Darkness" (1987)

Another by John Carpenter, the second in his 'Apocalypse' trilogy, which began with "The Thing" (1982) and concluded with 1995's "In the Mouth of Madness". The film centers on a group of scientists called in to investigate an impossibly old church artifact, and things go downhill from there rather quickly. An skilled cast, superb writing, and a genuinely creepy, full of mystery and dread atmosphere make this one another one of the most effective horror films of the last quarter of the 20th century. The fashions are dated a bit, plus Jameson Parker's mustache steals a few scenes, but overall this is again an example of John Carpenter showing how to tell a good story very, very well. Highly recommended.

"Dance of the Dead" (2008)

Pretty straightforward. A motley crew of students, a pizza delivery guy, and a coach work to protect the high school prom from a horde of zombies attacking the town. Don't be fooled by the simplicity of the story. This film is sharp, funny, scary, very well written and directed, and really fun to watch. On top of that, it's an indie, and we like good independent films. Highly recommended.

"F For Fake" (1975)

This was the last major film by Orson Welles, and it rather defies description. It was years ahead of its time in editing technique and overall style and remains worlds ahead of other films in what has become known as the mockumentary genre, though "F for Fake" isn't really a mockumentary... sort of. For the curious and/or adventurous of you looking for different film experiences, this one is by a bona fide Master of Cinema and cannot be missed. It is wildly entertaining and informative and more than a little mischievous. Not just recommended. Essential.

The Thursday List, Episode 8

"The Haunting" (1963)

A scientist, two psychic sensitives, and a skeptic go to check out a very haunted house indeed, and no hilarity ensues whatsoever. Robert Wise's 1963 film adaptation of Shirley Jackson's novel, The Haunting of Hill House, is considered by many, including this reviewer, as the best haunted house movie ever made. A solid story and script coupled with amazing technical direction plus an excellent cast give this film an atmosphere of unease, darkness, mystery, and psychological horror that just about can't be beat, and the best thing is that by and large it's a slow burn from beginning to end. It's masterful. Highly recommended.

"The Legend of Hell House" (1973)

There is no such slow burn in 1973's "The Legend of Hell House". Once it gets going, it keeps going and doesn't really let up, just gives you enough time to breathe. Adapted by Richard Matheson from his own novel, this film has the same premise as "The Haunting" but approaches from a different angle and much more ferociously. The cast shines, especially Roddy McDowell, and the direction is determinedly '70s and very effective. It may not be the best haunted house film ever, but it's close... and probably the most fun to watch. Highly engaging, highly energetic, and... Highly Recommended.

"Event Horizon" (1997)

A bit overambitious but well done and with a great attitude, "Event Horizon" is probably the best haunted house in space movie ever made. It's more than a hair over the top and sometimes tends to try to hard, but there's something about the film that just screams underdog. It's got a good script and direction, and the cast does pretty well. It just keeps barely not quite coming completely together. Having watched it more than a few times, I believe there's a good, fun, healthy attitude about the film, and it's really great fun to watch, especially with friends, which makes raises from average to slightly above average. And so while your mileage may vary, I say... Recommended.

The Thursday List, Episode 7

"Quigley Down Under" (1990)

This is one of my favorite post-1960s westerns. It's a solid, entertaining yet often overlooked film. It has aged far better than most of its more popular cinema contemporaries and is just as well written, acted, and directed as most of them. It has action, humor, and drama, and instead of relying on flash and cool it is plainly a good story told well, which is better than flash and cool and many other superficialities every time. Recommended.

"The Exorcist III" (1990)

Once again we have a case of an often overlooked solid, entertaining film that has aged better than many of its contemporaries. This chapter of the "Exorcist" cycle more than makes up for its diabolically hodgepodge (and often unintentionally quite funny) predecessor. It's an effective detective/horror film that really only gets over the top at the end, though it still works well. Script, direction, and cast are excellent, and the film effortlessly moves between darkly funny humor and delivering atmosphere and chills. Again, good story and well told. Recommended.

"The Return of the Living Dead" (1985)

This is probably the second most legendary zombie movie of them all, and despite its title was in no way associated with George Romero's 1968 film. (See this Wikipedia article for that story.) It's a zombie film with an excellent atmosphere of dread, a good cast, and a very effective balance of laughs and scares that keeps the film's pace moving at a steady clip. Above all, it's fun to watch, either alone or with friends. Highly recommended.

The Thursday List, Episode 6 (Late Edition)

"Chromeskull: Laid to Rest 2" (2011)

This is an impressive film, technically. Specifically, the makeup and effects of this film are impressive, mightily impressive. Unfortunately, saying that about a movie is rather like going to a concert and coming saying "Well, the seats were comfortable." Style is no substitute for substance, and this film was style heavy and substance poor. The script made little sense, but most of the actors managed well with what they had. All told, it wasn't really bad, though if it hadn't been for the special effects it would've been a bit below average. Recommended for fans of gore effects, not quite so for general viewers.

 "Scream of the Banshee" (2011)

When "SyFy presents" appeared at the opening, my heart sank a bit. As the movie progressed, my heart sank even more. The more the actors, brave men and women all, struggled against the bland and plodding script, the more they themselves sank into the SyFy swamp, an awful and hideous place wherein mediocrity and cheapness rule with a plastic fist (rather poorly painted to look like iron from a distance). It was obvious they knew as well as I that there was only one way for it to go, and in the end, we all went down together. At least they got paid for their time and energy, and it's still far and away and worlds better than Neighbor. Unless you want to make a drinking game out of watching it or you have a crush on Lauren Holly, this film is: Not recommended.

"The Omega Man" (1971)

This is an example of films that have aged about as well as Dorian Gray at the end of his story. The themes of Matheson's original 1954 novel, I Am Legend, are sweeping and universal, and it seems they were reduced down and twisted a bit to suit the cultural vogues of the beginning of the 1970s. They're clumsily handled in the script, and so instead of having an impact and encouraging you think it just preaches at you. The non-message parts of the film, on the other hand, are quite good. Heston's in great form and has some really good scenes, as does Rosalind Cash. It could have been better, but despite the ham-fisted handling of some of the themes and the near-comical 1970s-ness of it, it really is a slightly above average film, except for the ending. Oy vey. "The Omega Man" is worth watching, but don't go out of your way or be in a hurry to. Matheson's novel, though, should be required reading.

The Thursday List, Episode 5 (Early Edition)

"Soylent Green" (1973)

Usually ecological disaster movies are crap. They're preachy and irritating and weakly written. "Soylent Green" isn't one of those. It's the ecological disaster movie all the others are trying to be. It's solidly written and directed, and it features the final and quite moving film performance of the legendary Edward G. Robinson. The worst thing about the film, aside from Charlton Heston's mediocre performance for the first half of the film, is that it's so dreadfully 1970s, with the fashions and the language. And if that's the worst part of the film, that's doing pretty good. This film's a classic for good reason. Recommended.

"Dead Again" (1991)

"Dead Again" is a neo-noir psychological thriller and one of my favorite movies. It stars Kenneth Branagh, Emma Thompson, Andy Garcia, and Sir Derek Jacobi and is a veritable master class in film direction, screenwriting, and performance. It's gorgeously shot and features scenes both in color and in black and white while the plot develops and the action moves back and forth between the 1940s and the 1990s. It's a tight, lean story, very engaging, and should have you quite rapt until the very end. Highly recommended.

"The Mangler" (1995)

Robert Englund and Ted Levine in a horror movie based on a Stephen King short story and directed by Tobe Hooper. Holy cow! This should be pretty good. Except that "The Mangler" is a laundry folding machine... that gets possessed a demon... and terrorizes the people at the laundry service, while a detective (Levine) tries to investigate and the owner (Englund) tries to find it new victims. Holy crap. Now it seems like it should blow. To be fair, it's an all around very competently made film. It's just clunkily written, but more than that it just doesn't work as a story. I've not read the short story, though. I'll wager it worked a lot better there. The movie blows. Avoid.

The Thursday List, Episode 3

"Bunraku" (2010)

To put it simply, this is a visually striking, highly stylized live-action semi-noir four-color comic Samurai/Old West Good-versus-Evil fable. A lot of time, money, and talent on several levels went into making this film, and truth be told, you see every last bit of it. Some have claimed it was too long-winded and convoluted. I found it quite easy to follow and highly entertaining. I rented it on a whim because it was 99 cents, and now I'm going to buy it on Blu-Ray for my collection. Highly recommended.

"The Grand" (2007)

"The Grand" pokes fun at the colorful personalities of professional poker players and their tournament world. It's a very laid back, funny, good-natured film, which comes a good deal from the choices of actors, all of whom are quite good at guided improvisation, which is a euphemism for "not much in the way of a script". There are a few lags here and there, but its generally even. Woody Harrelson, Werner Herzog, Gabe Kaplan, and Dennis Farina kind of steal the show, but not by too much. It's a fun film that you don't have to think about but just relax and enjoy the laughs. Recommended.

"Night of the Demon" (1957)

Note to U.S. readers: "Night of the Demon" is an original U.K. production renamed "Curse of the Demon" by its American distributor for its stateside release.

"Curse of the Demon" (1958)

When I recommend a movie, that's one thing. When Martin Scorsese recommends a movie, it's another, much more impressive thing. He does. So it is. "Curse of the Demon" is a very effective horror film because it has a tight, lean script brought to life well by a talented cast and because it is absolutely dripping with atmosphere. The technical direction and cinematography are top-notch. Its production was more than a bit rocky, which makes it a bit more impressive that it all came together so well. It's a solid, effective, reasonably family-friendly horror film. Highly recommended.

The Thursday List, Episode 2

Technically it's Friday, I know, but there've been hardware problems tonight. All fixed now, and so...

"Season of the Witch" (2011)

Two seemingly unstoppable warriors desert from the Crusades, head home, and get roped into transporting a teenage witch to a monastery for exorcism. Formulaic mediocrity ensues at what can only be described as quite casual speed. The only people in the thing seeming to have any fun or even pride in the project were Ron Perlman and Stephen Graham, and while they keep the thing from being wholly uninteresting and dull, they are no match for the unimpressiveness and yawn-inducing power Nicholas Cage, the rest of the cast, the script, and the direction. Not recommended.

"Paranormal Activity 3" (2011)

The third time's a charm, apparently. A youngish couple buys a house, and things start getting a little weird right away. Fortunately for us, dad's a wedding videographer, and viola! A movie franchise is born! It's a little slow to get moving, but unlike its predecessors it has atmosphere, keeps things interesting, and builds pretty solidly. They got it right (or right enough) on the third go. It has a few hiccups and things that make no sense, and you can see some things coming miles away. But it actually kind of works, all told. It's slightly better than average, and as such it is... Recommended.

"A Nightmare on Elm Street" (2011)

Boring and stupid. That's the problem with this remake, as it is with most remakes, really. Freddie isn't scary, and the teenagers are wholly unsympathetic. Even the camera and editing tricks used to try to bring the creepiness and rubber reality are standard fare. The rewrite of the storys background is just plain uninspired, as is the script itself. There's no atmosphere. Heck, there isn't even any acting or effort on the production side to do anything other than try to make it look cool. It's just another dull, boring, uninspired movie-by-the-numbers attempt at milking a cash cow. Not remotely recommended, not even for a laugh. (It's still better than "Neighbor", though.)

The Thursday List, Episode 1

"Green for Danger" (1946)

It's a Golden Age whodunnit set in a hospital camp in England during World War II. An ensemble cast performs a fiendishly tight script, and the film is set, photographed, lit, and scored very ably. It's a little quirky, with an exceptional performance by the great Alistair Sim as the rather unusual Scotland Yard sleuth, Inspector Cockrill. A very entertaining and enjoyable film classic. Highly recommended.

"Insidious" (2011)

It's three movies in one. The first part is an atmospheric, slowly paced haunted house movie. The second part is an alternately slightly amusing and chilling haunted house movie. The third part is a rather bold but kind of clunky fantasy/horror story. Wonderfully shot with super visuals and very well scored, it just doesn't really ever gel. It winds up dead average (no pun intended). Great for Hallowe'en, but take it or leave it the rest of the year.

"Midnight Movie" (2008)

This is the kind of slasher horror movie that is genuinely fun to watch. The budget came in at one million dollars but delivered better than most horror movies with ten to thirty times that. It's generally well scripted and competently performed, but what elevates it is the direction. It's obvious the director pre-planned and handled his resources excellently and that the cast and crew enjoyed making the movie. Hmmm... I may do a proper full write-up on this one. Highly recommended.